“I did go back to black and white for the remainder of my time, jealous of the other students like Dan Boyarski and Jack McManus who were getting rave reviews on their color. Some years later I was suddenly able to really see color, and it sort of all opened up. Hoffman was right, though, at the time I could just not see or hear what he was trying to explain.” – John Clark, Basel 1977-1979
Don Miller Studio – Only a fraction of the actual studio space.
In connection with the Los Angeles chapter of the American Institute of Graphic Arts, and UCLA Extension, we conduct student workshops in which students create a poster from hand made type. One of our roles in this initiative, in a addition to hosting the workshops, is continuing to promote the subject.
This new poster to be used in connection with UCLA Extension was created with simple string. Assembled by our student intern Ali Keenan, the image came to life in the studio of master photographer Donald Miller, donmillerphoto.com.
Presentations will be presented showing how designers are key to the change in this world and how strategic design thinking is crucial to sustaining the human race. Beginning with influences from the entertainment industry and such creative forces such as Saul Bass, Los Angeles design has been at the forefront of this wave, stressing effective storytelling that separates great brands from the mediocre.
Touch Everything: The Explosion of Graphic Design.
Graphic design instructor John Clark is founder of Looking, an interdisciplinary design studio involved in two dimensional, three dimensional and new media design. He is past Department Chairman for Communication Design, Art Center (Europe), and an instructor at Art Center College of Design and Otis College of Art and Design. Previously he was Vice President of Cross Associates, Los Angeles, a designer with Büro Rolf Müller für visuelle Kommunikation, Munich, and a co-founder of The GNU Group, Houston and Sausalito.
This custom designed room sign allows for easy daily updating by simply sliding paper into the window. Conceived in the spirit of the late 1940s, aluminum, aeronautic, Howard Hughes era aesthetic, fabricated from the traditional technique of rolling whole sheets of aluminum.